Made in marathon sessions at the same proportions as the distance from the Earth to the Moon, these digital paintings unfold like a panoramic scroll & screensaver. Vast cosmic distances roll into the intimate landscapes of the Mountain West (Colorado Plateau, Great Basin, Front Range, Continental Divide), where posthuman memory, narrative movement, and the inner reachers of outer space converge.
2025-6
bio
Noah Travis Phillips is a collage artist working with their private media archive of “made, found, and modified” images to interrelate the personal, mythological, occult, cultural, and ecological. Their practice explores the posthuman and the Anthropocene through a range of digital and physical formats. In tandem, they aim to subtly insert themselves into art history by cultivating a personal legend or parafiction.
They are an artist, educator, and scholar. (BA, Naropa University, Fine Art and Environmental Studies; MFA, University of Denver, Emergent Digital Practices). They are Assistant Professor & FabLab (Z-Space) Coordinator at Rocky Mountain College of Art + Design. They have exhibited extensively locally, nationally, internationally, and virtually.